What I Do – Alan JacksonAugust 24th, 2004 ![]() or ![]() iTunes Price: $5.99 Genre: Country Released: Aug 24, 2004 Customer Ratings (12 Ratings)
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What I Do – Alan JacksonView More By Alan Jackson Our ReviewNashville fads swing back and forth between pop and twang, but for the last fifteen years, chart-topper Alan Jackson has sat smack dab in the middle with a big, friendly smile on his face, racking up one hit after another. On his fourteenth album, the laid-back Georgia native offers his usual mix of heartfelt love songs, toe-tapping honky tonk, and unapologetically dopey novelty tunes. It kicks off with "Too Much of a Good Thing," an irresistible hit single with the feel of a timeless country classic, and continues along the same vein with Jackson's oaken vocals gliding atop a sweet mix of fiddles, guitars, and pedal steel. The mournful "Monday Morning Church" features harmony vocals from Jackson's fellow neo-traditionalist Patty Loveless, while "The Talkin' Song Repair Blues" was a goofy and therefore unexpected radio hit. Jackson also introduces his fans to country newcomers the Wrights, a husband-wife duo who wrote two of the songs here, adding their considerable talents to the already-swinging Alan Jackson sound. This is commercial country music at its very best.. Customer ReviewsGood as Ever (5 stars)Alan Jackson does it again with his fourteenth studio record. I grew up listning to the likes of Alan and George Strait and Brooks & Dunn and this CD fits the mold of all the classics I remember. Almost every song is worth listening to over and over. Recomended for both the Alan Jackson fan and the casual country listener alike One of the best (5 stars) I'm a huuge Alan Jackson fan and I love this album because it is good pure country that is easy to listen to. BiographyBorn: October 17, 1958 in Newnan, GAGenre: Country Years Active: '90s, '00s, '10s After Garth Brooks, Alan Jackson was the most popular male country singer of the '90s. An heir to the new traditionalist movement of the '80s, Jackson's approach was rooted in classic honky tonk yet remained comfortably within the contemporary mainstream. Jackson's hallmark was consistency — he wrote many of his own hits, and his way with a hook was part of the reason he never really hit a commercial dry spell, even into the new millennium. He also projected a modest, wholesome, down-to-earth...
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