Plot
In mourning over the tragic drowning of their daughter Sarah, James and Adèle are visited by Ebrill, a young girl who claims she died 60 years ago ... and bares a startling resemblance to Sarah.
Release Year: 2005
Rating: 5.3/10 (6,213 voted)
Director:
John Fawcett
Stars: Sean Bean, Maria Bello, Sophie Stuckey
Storyline While in Wales visiting her husband James, Adèlle tries to fix her relationship with her teenager daughter Sarah. They see a weird memorial without the plate and with the name "Annwyn" marked, and the local Dafydd explains that this would be the place where people go after dying in accordance with the Welsh mythology. Later, Sarah vanishes on the beach and the daughter of the local fanatic shepherd, Ebrill, who died fifty years ago, appears in her place. Adele makes a research trying to find how to rescue her daughter from Annway.
Writers: Simon Maginn, Stephen Massicotte
Cast: Maria Bello
-
Adèlle
Sean Bean
-
James
Maurice Roëves
-
Dafydd
Sophie Stuckey
-
Sarah
Abigail Stone
-
Ebril
Richard Elfyn
-
Rowan
Casper Harvey
-
Young Dafydd
Eluned Jones
-
Doctor
Gwenyth Petty
-
Librarian
Robin Griffith
-
Police Inspector
Mike Keggen
-
Rib Skipper
Tonya Smith
-
Main Stumblehead Martyr
Filming Locations: Bray Studios, Down Place, Oakley Green, Berkshire, England, UK
Box Office Details
Budget: £3,000,000
(estimated)
Opening Weekend: €26,010
(Netherlands)
(22 January 2006)
(8 Screens)
Gross: £536,108
(UK)
(16 April 2006)
Technical Specs
Runtime:|
Philippines:
(cut)
Did You Know?
Trivia:
The concept of "Annwn" (Annwyn) is not made up especially for the film or the book on which it was based. "Annwn" is an underworld or other world found in Welsh legend, a land of the dead. It is said to lay far in the west and could be accessed by the living through a door located at the mouth of the Severn once a year. Surviving from pre-Christian Celtic mythology, it's neither Heaven nor Hell in the Christian sense, humans can enter spiritually or corporeally. This is the first film about Annwn.
User Review
Stock scare horror for the first half, then a somewhat confused but clever psychological horror the second half.
Rating: 6/10
Sean Bean is such a lost talent, he's a great actor and never seems to
be given a decent or lead role. Even in Lord of the Rings he was cast
as the turncoat. So I was excited to hear that he was the lead man in
this movie, although not the lead it was a good step. Plus it was a
British film and a horror. These things all combined to make me think
that this was a movie to see.
Both Bean and Maria Bello are very convincing in the movie. Bean plays
the straight up man who is confused by the happenings around him and
just wants to make the family happy again, he plays a super convincing
Father. Bello gives a great performance as she is called upon to be a
trying mother, confused, insane, panicked and totally distraught. Not
that much of a range really! The interplay between these two actors is
very good, and when Bean has scenes with the daughter, he's just
superb.
Something that becomes quite annoying through the first half of the
movie are the deliberate scare tactics used by the Director, they are
exceedingly formulaic and you know when they are coming and even when
the shock comes. Still, all credit to them, you still leap out of your
chair even knowing when a scare is coming. The formula is pretty
constant through the first half, slow music, a long single scene, slow
movement and no action, usually in the darkness, then a few fast cuts
together accompanied by a loud sound and a raise in the music tempo,
and there you have the scare. During the screening people were leaping
like mad! After a while following this formula the film does turn
around on itself and become something different. It's here that it
becomes a lot more psychological and indeed, clever. There was a big
feeling in this half of Event Horizon, particularly the flashbacks to
being strapped in the chair, fast, multiple cuts of horror.
However during the latter half it also becomes confusing and very
weird, yet I wish the whole movie had been like this. It could have
abandoned its standard scare tactics and concentrated on the plot in
the latter half, and this would have provided for a much more
psychologically scary movie.
There's a particular moment near the end of the movie when a door
closes in front of the lead, and your emotions are totally with the
character at this point. Confusion for a few seconds and then a slow
building understanding. It's a very good moment.
Still, however clever the entire ending is, I still felt it lacked
clarity and subtlety. Dropping the scare formula of the first half
would have brought a much better movie, and getting rid of the premise
of scary sheep would have helped too. Perhaps it's a British thing, but
sheep are not in the least bit scary, in fact coming from a Northern
Scottish town sheep are considered far from scary. It just seemed to be
a plot device that was struggling not to be absurd.
That said, you'll still leap, you'll still be scared, and when the film
finishes you'll still like the conclusion.
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