Plot
Rusty James, an absent-minded street thug struggles to live up to his legendary older brother's reputation, and longs for the days when gang warfare was going on.
Release Year: 1983
Rating: 7.1/10 (14,515 voted)
Critic's Score: 63/100
Director:
Francis Ford Coppola
Stars: Matt Dillon, Mickey Rourke, Diane Lane
Storyline Rusty James is the leader of a small, dying gang in an industrial town. He lives in the shadow of the memory of his absent, older brother -- The Motorcycle Boy. His mother has left, his father drinks, school has no meaning for him and his relationships are shallow. He is drawn into one more gang fight and the events that follow begin to change his life.
Writers: S.E. Hinton, S.E. Hinton
Cast: Matt Dillon
-
Rusty James
Mickey Rourke
-
The Motorcycle Boy
Diane Lane
-
Patty
Dennis Hopper
-
Father
Diana Scarwid
-
Cassandra
Vincent Spano
-
Steve
Nicolas Cage
-
Smokey
Chris Penn
-
B.J. Jackson
(as Christopher Penn)
Laurence Fishburne
-
Midget
(as Larry Fishburne)
William Smith
-
Patterson the Cop
Michael Higgins
-
Mr. Harrigan
Glenn Withrow
-
Biff Wilcox
Tom Waits
-
Benny
Herb Rice
-
Black Pool Player
Maybelle Wallace
-
Late Pass Clerk
Taglines:
No leader can survive becoming a legend.
Release Date: 21 October 1983
Filming Locations: Sapulpa, Oklahoma, USA
Box Office Details
Budget: $10,000,000
(estimated)
Opening Weekend: $18,985
(USA)
(10 October 1983)
(1 Screen)
Gross: $2,494,480
(USA)
(13 November 1983)
Technical Specs
Runtime:
Did You Know?
Trivia:
The only adaption of an S.E. Hinton novel not to feature Emilio Estevez.
Goofs:
Crew or equipment visible:
Camera shadow visible on Rusty-James' torso after The Motorcycle Boy has shown him the photograph of himself in the magazine.
Quotes:
[first lines]
Midget:
Biff Wilcox is looking for you, Rusty James. He's gonna kill you, Rusty James.
User Review
A forgotten classic
Rating: 9/10
Like most who saw this film, I would guess, I was exposed to it in
college, and I have to admit much of it went past me at the time. I
liked the stark and unusual visuals, and I liked most of the story, but
I'd be lying if I said I understood everything that was going on. Not
that 'Rumble Fish' is particularly deep, just that in college I wasn't.
Viewing the movie with a more mature mind now, I appreciated it much
more than I did when I was nineteen.
Based on the S.E. Hinton novel (Coppola also translated 'The
Outsiders', which remains remarkable even today for its amazing cast),
'Rumble Fish' follows the story of one Rusty James (Matt Dillon, in
full bad-boy mode) stuck in the middle of nowhere (Tulsa, actually),
dissatisfied with his life but not really bright enough to know why.
His older brother, the Motorcycle Boy (Mickey Rourke, long before he
became a punchline), wheels back into town from a long sojourn, and
what there is of a plot begins.
Much of this movie is atmosphere, which normally irritates me but for
some reason works incredibly well here. The black and white film is
actually part of the story, which is in itself unusual, but it
complements the storytelling and actually adds depth to the film.
Though we see eighties-era cars, some of the movie has an almost
fifties-feel to it, and like Rusty James, the viewer is never sure
when, or where, he is. The bleak setting of Tulsa only reinforces the
sense of both isolation and containment, which is the central theme of
the film.
Dillon is very strong here. His seething anger can never really find a
way to express itself adequately, and Dillon spends the whole film out
of sorts in his own skin, giving a remarkable performance. Diane Lane,
whom I suspect was hired for her stunningly good looks, has a smaller
role but is very effective as the put-upon Patty. Most of the rest of
the young cast unknowns or relatives or friends of the director at
that point in time (Nicolas Cage, Chris Penn, Lawrence Fishburne, Tom
Waits, even a very-young Sophia Coppola) are all very, very good. Waits
and Fishburne have tiny roles but large presences on screen, and they
stick in the viewer's mind even when they aren't there. Dennis Hopper
is unusually relaxed and natural as Rusty James' dad (called only
Father); sometimes Hopper can get gimmicky or artificial with his
acting, but here he is subtle and wholly effective as a drunken shell
of a man.
But the standout performance is really Mickey Rourke, reminding us that
before he pissed his career away on crappy low-budget films with the
likes of Don Johnson, he was actually a decent actor. Rourke imbues the
Motorcycle Boy with a wholly different restlessness than Dillon's
Rusty, and makes him both compelling and sympathetic. Honestly it helps
that Rourke has some of the best lines in the film, most notably one of
my favorite quotes from any film: 'You want to lead people, you have to
have some place to take 'em.' Motorcycle Boy is also something of a
transitional hero, knowing he is damned to live, and die, in this
hellish world but making sure the path to redemption (and escape) is
secured for his follower (he even says of Rusty, 'His only vice is
loyalty.')
'Rumble Fish' is mostly an artsy character piece, the type of film that
normally does not appeal to me, but Coppola displays such skill with
the material and is so willing to subvert the very conventions of his
film so that they further serve the characters and their development
that the movie works, and works very well. Though the color tricks
betray themselves rather badly on DVD (we were never meant to see this
movie this clearly), the film still carries an enormous punch on the
small screen as it did on the large. A bleak film that nonetheless
carries within a message of hope, that one can escape the cages of
one's surroundings if one tries hard enough.
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