Plot
A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange...

Release Year: 1984

Rating: 6.6/10 (6,927 voted)

Director: Neil Jordan

Stars: Sarah Patterson, Angela Lansbury, David Warner

Storyline
A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in love with handsome, heavily eyebrowed strangers with a smoldering look in their eyes; about sudden disappearances of spouses when the moon is round & the wolves are howling in the woods; about babies found inside stork eggs, in a stork nest high up a tree; etc., etc. Of course the story of Little Red Ridinghood is also present, with a very handsome he-wolf! (And of course this he-wolf consumes Grandmother, but 'consumes' Little Red Ridinghood). All the stories are somehow reducible to loss of innocence, and fear of/hunger for (a newly acquired sense of) sexuality; their Freudian character is mirrored in their dreamlike shapes. This movie is not really a horror movie; it's more a multiple tale about growing up into adolescence.

Writers: Angela Carter, Neil Jordan

Cast:
Angela Lansbury - Granny
David Warner - Father
Graham Crowden - Old Priest
Brian Glover - Amorous Boy's Father
Kathryn Pogson - Young Bride
Stephen Rea - Young Groom
Tusse Silberg - Mother
Micha Bergese - Huntsman
Sarah Patterson - Rosaleen
Georgia Slowe - Alice
Susan Porrett - Amorous Boy's Mother
Shane Johnstone - Amorous Boy
Dawn Archibald - Witch Woman
Richard Morant - Wealthy Groom
Danielle Dax - Wolfgirl

Taglines: Within the forests are strangers lying in wait for innocents . . . who stray from the path! [Australia Theatrical]

Release Date: 19 April 1985

Filming Locations: Shepperton Studios, Shepperton, Surrey, England, UK

Box Office Details

Budget: $2,000,000 (estimated)

Opening Weekend: $2,234,776 (USA) (21 April 1985) (995 Screens)

Gross: $4,389,334 (USA) (5 May 1985)

Runtime: 95 min

Trivia:
When the Devil (Terence Stamp) meets the young boy (Vincent McClaren) in the forest, he is holding a small skull. According to director Neil Jordan this is a genuine pygmy skull that was procured for the film.

Quotes:
Rosaleen: [a lock of hair singes in the fireplace] Is that all you left of her? Your kind can't stomach hair, can you? Even if the worst wolves are hairy on the inside.

Excellent take on werewolf folklore

Rating: 9/10

Let's all thank god for Neil Jordan. Not only did he bring Anne Rice's Interview with the Vampire to the screen in an uncompromising, superb adaptation, but way back at the start of his career he also brought us this mini-masterpiece about werewolves.

The setup is simple. A teenage girl in a country manor falls asleep while reading a magazine (with a cover story entitled "the shattered dream" -- a subtle hint to some of the themes of this movie), and she has a disturbing dream involving wolves which appears to take place in the woods visible from her bedroom window. It begins with a girl being chased down by a pack of wolves and killed, then we move to her funeral and discover she had a sister. The sister is your typical inquisitive girl just blossoming into womanhood, and her wise old grandmother tells her stories about men changing into wolves, with the message that all men are beasts. These stories make the girl uncomfortable about the advances of a local boy, and later a charming nobleman, and her perceptions of her parent's love life don't help. As the town becomes more and more terrified by the danger of wolf attacks, they begin to unearth evidence that there are in fact werewolves out in the woods. These findings and her own active imagination lead the girl to come up with her own werewolf stories. And when she is sent out through the woods with a red cloak and basket to visit her grandmother, you just know that there's going to be trouble ...

The Company of Wolves is a well-made, smart and highly original piece of work, and it is this movie that got Irish director Neil Jordan noticed internationally. The surreal, dream-like atmosphere of the movie is both superb and engaging, and the metaphorical nature of the movie is reasonably subtle. It is about a young girl's coming-of-age, trying to decide whether or not all men are in fact beasts when she still isn't quite sure exactly what they want from her.

Generally, werewolf movies made by European film-makers tend to have more substance and more familiarity with actual werewolf folklore -- it is part of our history after all, while Hollywood has had to create it's own werewolf myth over the years. This is probably the best British werewolf movie, followed by Dog Soldiers and Curse of the Werewolf, but even American classics like The Wolf Man and of course An American Werewolf in London, had to be set in Britain.

The lead role is played by Sarah Patterson, a young girl in her debut role at just 12 years old. After this she only appeared in one more movie (Snow White, also in the Canon Movie Tales series) then for some reason gave up on movie acting. She would certainly have had a successful career after this, you would think. The supporting actors also do good jobs, particularly Micha Bergese as the huntsman and Angela Lansbury as the creative grandmother. Other well-known names appear here in smaller roles, including Brian Glover (the yorkshireman from American Werewolf), David Warner, Stephen Rea and Terence Stamp.

It currently ranks as one of my all-time favourite werewolf movies, and I expect it to grow on me even more over time. I can recommend this without any reservation.

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