Plot
In 1997, when the US President crashes into Manhattan, now a giant max. security prison, a convicted bank robber is sent in for a rescue.
Release Year: 1981
Rating: 7.1/10 (45,372 voted)
Director:
John Carpenter
Stars: Kurt Russell, Lee Van Cleef, Ernest Borgnine
Storyline In the future, crime is out of control and New York City is a maximum security prison. Grabbing a bargaining chip right out of the air, convicts bring down the President's plane in bad old Gotham. Gruff Snake Plissken, a one-eyed lone warrior new to prison life, is coerced into bringing the President, and his cargo, out of this land of undesirables.
Writers: John Carpenter, Nick Castle
Cast: Kurt Russell
-
Snake Plissken
Lee Van Cleef
-
Hauk
Ernest Borgnine
-
Cabbie
Donald Pleasence
-
President
Isaac Hayes
-
The Duke
Season Hubley
-
Girl in Chock Full O'Nuts
Harry Dean Stanton
-
Brain
Adrienne Barbeau
-
Maggie
Tom Atkins
-
Rehme
Charles Cyphers
-
Secretary of State
Joe Unger
-
Taylor
(scenes deleted)
Frank Doubleday
-
Romero
John Strobel
-
Cronenberg
John Cothran Jr.
-
Gypsy #1
Garrett Bergfeld
-
Gypsy #2
Taglines:
New York City has Become the Only Maximum Security Prison for the Entire Country. Once You go In, You don't Come Out... Until Today.
Filming Locations: Art Center College of Design, Pasadena, California, USA
Box Office Details
Budget: $6,000,000
(estimated)
Opening Weekend: $4,162,000
(USA)
(12 July 1981)
(579 Screens)
Gross: $25,244,700
(USA)
Technical Specs
Runtime:
Did You Know?
Trivia:
The night street scenes were filmed in East St. Louis, Illinois, which had entire neighborhoods burned out in 1976 during a massive urban fire. Across the Mississippi River from the more prosperous St. Louis, Missouri, East St. Louis was filled with old buildings that look seedy and run-down.
Goofs:
Incorrectly regarded as goofs:
The American flag on the right-hand side of Air Force One's tail is not reversed. In reality it would have the stars in the upper right to represent a real flag moving forward. However, the flag could have been changed in the alternate history within the movie.
Quotes:
[first lines]
Narrator:
In 1988, the crime rate in the United States rises four hundred percent. The once great city of New York becomes the one maximum security prison for the entire country. A fifty-foot containment wall is erected along the New Jersey shoreline, across the Harlem River...
User Review
Classic anti-hero
Rating:
Snake Plissken is the classic anti-hero, ala Clint Eastwood's
Man-with-no-name. Plissken is an ex-soldier turned criminal,
recruited/blackmailed into rescuing a hostage president from the prison
of
New York City. Plissken is a walking ball of anger and a survival
machine.
He fought for his country but had everything taken from him, so he
started
taking back. Now, he has to rescue a man he doesn't care about, if only
to
survive long enough to take his revenge on Hauk and the
government.
John Carpenter's film is a masterpiece of dark humor, suspense, and great
characters. The film channels the anger and distrust of the
post-Vietnam/Watergate era, as well as the then-current Iranian Hostage
crisis. Plissken represents, in a fashion, the Vietnam vets who did
their
job, even if they didn't agree with or understand their war, but came
back
to nothing. The film's novelization explores these themes better than
the
movie, but it is hinted at in Hauk's briefing. It also depicts a fascist
police state, one that some would say is not too far from
reality.
Kurt Russell is excellent in what was a breakout performance for him. Up
to
this point, Russell had been stuck in low budget comedies, following the
end
of his Disney days. This performance, coupled with another collaboration
with Carpenter, Elvis, led to bigger and better roles. Russell channels
Clint Eastwood to give Snake a menacing, if laconic quality. Much like a
real serpent, Snake watches and strikes when he is ready; with speed and
impact. Russell is able to say a lot with little dialogue, through his
body
language and facial expressions.
The supporting cast is wonderful. Adrienne Barbeau is the beautiful, but
deadly Maggie. She is partnered with the intelligent, but slimy Brain.
Their's is a symbiotic relationship; each provides something the other
needs. Harry Dean Stanton, a great character actor, presents a Brain
that
is smart, but ruthless, and more than a bit cowardly.
Isaac Hayes is The Duke, ruler of the prison. Hayes is a bit uneven, as
he
wasn't an experienced actor (he had at least one movie before this) but
he
is a charismatic performer and ultra-cool. Donald Pleasance is the
consummate politician, a big man in his controlled environment, but lost
in
a world outside his; one he had a hand in creating. Ernest Borgnine is
tremendous as Cabby, the answer man and link between Snake and the rest
of
the cast, as well as to the past of New York. Finally, Lee Van Cleef
brings
some of that Angel Eyes magic as Hauk, the prison Warden. Hauk is an
ex-soldier and identifies with Snake. The difference is, Snake rebelled
against the system that betrayed him; Hauk joined it. This was Van
Cleef's
last good role, before he was saddled with mediocrity in his tv series,
the
Master, and became the butt of jokes on MST3K.
The film moves at a brisk pace and the dark lighting carries the sense of
mystery, isolation, and destruction. Carpenter is able to convincingly
hide
the fact that he shot this film in St. Louis and LA, and make you believe
it
is New York. Although there are gaps in logic and missing information,
the
pace doesn't let you dwell on it. There is a constant feeling of the
race
against time. If there is any complaint, it's that the budget sometimes
holds back some of the action, but characterization makes up for it.
Also,
the dark lighting is sometimes too dark, and details are
obscured.
The new special edition dvd brings a treat to long-time fans: the
deleted
opening bank robbery and capture of Snake Plissken. Since I had read the
novelization before seeing the film, I had long wondered what this
sequence
had looked like. Although it does explain why Plissken is on his way to
the
prison when Hauk intercepts him, it doesn't really work in context with
the
rest of the film. The sequence worked well in the book because of
Snake's
inner monologue and memories of his mission in Leningrad and the loss of
his
parents to government action. We understand Snake's hatred of the
government and his nihilistic nature. In the sequence, as shot, we don't
really get a sense of who Plissken is; just that he has apparently
committed
a crime and is on the run. We don't really get a feel for his
relationship
with his partner, which affects the emotional impact at the end of the
sequence. Ultimately, the film works better without this
footage.
A note on the commentary track: Ox Baker was not seven feet tall. He is
probably closer to the 6'6" to 6'7" range, although he was over 300
pounds.
His bulk makes him appear larger than he really is, especially in a
wrestling ring.
One used to wonder what this film would have looked like with a bigger
budget. Carpenter sort of answered that with the sequel, Escape from LA.
It was essentially the same film, with better effects and a West Coast
sensibility; but, it doesn't hold a candle to the original. The lower
budget caused the cast and crew to be more creative and they succeeded
far
better here. It would be good to see Snake again, but in a new
environment,
with a different plot. Russell's age could be an asset, as Carpenter
could
examine an older Snake, who must rely more on cunning than physical
skills.
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