Plot
Ghost story in which a repressed female psychiatrist wakes up as a patient in the very asylum where she worked with no memory of why she is there and what she has done.

Release Year: 2003

Rating: 5.7/10 (47,036 voted)

Critic's Score: 38/100

Director: Mathieu Kassovitz

Stars: Halle Berry, Penélope Cruz, Robert Downey Jr.

Storyline
A criminal psychologist awakens to find herself a patient in the institution where she works, with no memory of the murder she's accused of committing. As she tries to regain her memory - and her freedom - a vengeful spirit manipulates her.

Cast:
Halle Berry - Miranda Grey
Robert Downey Jr. - Pete Graham
Charles S. Dutton - Dr. Douglas Grey
John Carroll Lynch - Sheriff Ryan
Bernard Hill - Phil Parsons
Penélope Cruz - Chloe Sava
Dorian Harewood - Teddy Howard
Bronwen Mantel - Irene
Kathleen Mackey - Rachel Parsons
Matthew G. Taylor - Turlington
Michel Perron - Joe
Andrea Sheldon - Tracey Seavers
Anana Rydvald - Glass Cell Nurse
Laura Mitchell - Inmate
Amy Sloan - Inmate

Taglines: Not Alone.

Official Website: Columbia Tristar [France] | WB [United States] |

Release Date: 21 November 2003

Filming Locations: Hinchinbrook, Québec, Canada

Box Office Details

Budget: $40,000,000 (estimated)

Opening Weekend: $19,288,438 (USA) (23 November 2003) (2382 Screens)

Gross: $141,591,324 (Worldwide)

Runtime: 98 min

Trivia:
Halle Berry broke her arm filming a scene with Robert Downey Jr.. Downey was supposed to grab her arm and twist but twisted too hard and the arm snapped. Production was halted for eight weeks.

Goofs:
Continuity: The position of the cigar on Dr. Douglas Grey's desk.

Quotes:
[first lines]
Chloe: He came back again last night and tore me like paper. He opened me like a flower of pain, and it felt good. He sank into me and set me on fire, like he always does. Made me burn from the inside out.
Miranda: How did you know it was the devil?

Don't believe the hype, this is worth a look

Rating: 7/10

Stars operating at the level of Halle Berry and Penelope Cruz are bound to disappoint critics along the way, especially when the critics are just waiting for some sign of weakness upon which to feed. While there is nothing wrong with any of the acting in this film - these are not the kinds of roles Oscar winners and nominees are expected to indulge in.

What's more, Berry and Cruz signed onto a film made by a production team which has typecast itself with some fairly disappointing ghost stories / horror films involving big-names in the recent past.

Finally, this is one of those cases where the trailer was so good that the film could not possibly follow it.

So what?

If you approach this film without expectations, and with an open mind, you will be entertained. It's a tight, disturbing psychological/supernatural thriller which, though a little predictable at times, nevertheless offers some frightening imagery and a few good solid scares. That said, this is not a film for people who have trouble paying attention or for people who need straightforward answers. If you don't really pay attention to what is going on in this film, you could easily dismiss it as a more adult version of Sixth Sense or just another dumb ghost story. This film deserves more credit than that.

Personally, I don't think it's a ghost story at all- but that is a question best left open.

I have seen a number of films by this team - House on Haunted Hill, 13 Ghosts and Ghost Ship. Of these, I found 13 Ghosts and the House on Haunted Hill to be entertaining, but not very intelligent. Ghost Ship was tremendously disappointing - even Gabriel Byrne could not save that film. Gothika is easily the best of the lot, and also the darkest. The film is shot in dark blue, black and gray tones, and the use of lighting is nothing short of artistic. Despite the cliché title, the occasional plot clichés, and all the negative publicity generated by critics, I found this film to be surprisingly entertaining, intelligent, and disturbing.

Most of the 'plot holes' cited by some reviewers here on IMDb are more likely gaps in the attention spans of the viewers themselves or intentional ambiguities designed by the production team. This, unlike any of this team's previous work, does not provide unambiguous explanations.

Cruz and Berry are, respectively, patient and psychiatrist in a high security prison for the criminally insane. The Gothic environment of this facility is not meant to be realistic, but surreal, and the effect works. From the first time you see the place, you question its own reality. The film constantly manipulates mood through cinematographic techniques like this.

Shortly after the film opens, Berry finds herself experiencing what some of her allegedly delusional patients talk to her about. Robert Downey's portrayal of her friend and, now, therapist, is uneven, but satisfactory.

To describe the rest of the plot would require spoilers, so I won't bother. Suffice to say that even the occasional predictability of this film did not detract from my enjoyment of it.

The film uses just enough ambiguity to permit the audience to wonder whether what they are seeing is really happening or whether it is a product of our protagonist's subconscious mind. And then, in the end, the film makes you question whether it matters.

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