Plot
Two LAPD detectives who moonlight in other fields investigate the murder of an up-and-coming rap group.

Release Year: 2003

Rating: 5.2/10 (20,106 voted)

Critic's Score: 47/100

Director: Ron Shelton

Stars: Harrison Ford, Josh Hartnett, Isaiah Washington

Storyline
When not solving murders in Tinseltown, Detective Joe Gavilan and his rookie partner Kasey Calden both moonlight in other fields: Gavilan sells real estate (poorly), and Calden aspires to become an actor (Brando, namely). Assigned to the vicious in-club slaying of a promising young rap act, the two detective delve into the recording industry where they hope to find answers - ideally ones that also come with property buyers or auditions.

Writers: Robert Souza, Ron Shelton

Cast:
Harrison Ford - Sgt. Joe Gavilan
Josh Hartnett - Det. K.C. Calden
Lena Olin - Ruby
Bruce Greenwood - Lt. Bennie Macko
Isaiah Washington - Antoine Sartain
Lolita Davidovich - Cleo Ricard
Keith David - Leon
Master P - Julius Armas
Gladys Knight - Olivia Robidoux
Lou Diamond Phillips - Wanda
Meredith Scott Lynn - I.A. Detective Jackson
Tom Todoroff - I.A. Detective Zino
James MacDonald - Danny Broome
Kurupt - K-Ro
André Benjamin - Silk Brown (as Andre Benjamin)

Taglines: In Hollywood, no one is who they really want to be.

Official Website: Columbia Tristar [France] | Sony Pictures Entertainment [United States] |

Release Date: 13 June 2003

Filming Locations: Beverly Hills, California, USA

Box Office Details

Budget: $75,000,000 (estimated)

Opening Weekend: $11,112,632 (USA) (15 June 2003) (2840 Screens)

Gross: $30,013,346 (USA) (27 July 2003)

Runtime: 116 min

Trivia:
Joe Gavilan's frequently heard cell phone ring is the opening riff of "My Girl", while K.C. Calden's phone plays "Funkytown".

Goofs:
Continuity: When K.C. commandeers the mini van during the chase, the girl with the white cap is on the passenger side and the boy is on the driver's side. During the chase the girl and boy switch places several times in long shots.

Quotes:
[first lines]
Shooting Practice Announcer: Shooters step up to the 20 yard line.
[K.C. has trouble shooting his target during shooting practice, so Joe shoots his and K.C.'s at the same time]
K.C.: Thanks Joe.

I finished a painting while writing this review

Rating: 9/10

Joe Gavilan (Harrison Ford) is a seasoned detective. K.C. Calden (Josh Hartnett) is his still wet behind the ears partner. Hollywood Homicide has them trying to balance the investigation of murders involving members of LA's rap industry with unusual extracurricular activities and concerns.

The most obvious aspects that make the film work so well are the extracurriculars. Without them, this might be seen as just another buddy-cop action/crime/drama--a good one at that, but nothing spectacular. But Hollywood Homicide is a comedy at heart. Gavilan's first concern upon arriving at any crime scene is that he gets some food, just the way he likes it. He's also a real estate agent. While conducting investigations, calls from buyers and sellers of homes always take precedence. Calden is also an aspiring actor, and he's quite a ladies' man. He even makes extra income by running a yoga class--with only women students--at $20 a head. Most of the students want to sleep with him, as do most other women he meets. They get away with it because Gavilan, at least, is also a great detective.

All of this material is very funny, but never in an over-the-top way. In fact, a lot of viewers might have difficulty "getting" the humor in the film, as much of it arrives by way of the action/crime/drama material that is only slightly exaggerated. That's a genre that often borders on the absurd even when it's played seriously. So the tendency may be for people to take this film seriously at times, and miss the gist of the humor.

The real joke, of course, is that this is Hollywood--a fact made all too clear by director Ron Shelton's title montage of "Hollywood" on various signs. In Hollywood, as in LA in general, it seems that everyone has something else that they'd rather be doing than their actual job, so they're all really focusing on that instead, while the day job pays the bills. Everyone is trying to make connections, and they're willing to do all kinds of unusual things to make them. Everyone is constantly on their cell phones. Run-ins with people who have various connections to the entertainment industry are commonplace, and it's not unusual to casually compliment them on their talent or some facet of their career before you, say, run after their offspring with a gun. Criminal activity and other unpleasant facts of daily existence are mostly taken in stride because no one can let such things get in the way of achieving success in what they really want to do.

That Shelton was able to make a film about "the real joke", and still keep a capable "serious" action/crime/drama running in the background is the real secret to the film's success. Without looking the broader themes, one might wonder why Harrison Ford would pick a seemingly pedestrian script at this stage of his career. From a deeper perspective, this is a very funny film with a more serious, almost self-deprecating subtext (for Hollywood, or the entertainment industry in general), and with an even more generalized "the grass is always greener on the other side of the fence" theme. Hollywood Homicide is well worth a watch or reassessment with this in mind.

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