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Plot
When a high school party goes dangerously off the rails, one teenager finds that revenge is just a computer click away.
Release Year: 2010 Rating: 5.9/10 (974 voted) Director:
Ben C. Lucas Stars: Oliver Ackland, Adelaide Clemens, Alex Russell Storyline When a high school party goes dangerously off the rails, one teenager finds that revenge is just a computer click away.
Cast:
Oliver Ackland
-
Darren
Adelaide Clemens
-
Xandrie
Alex Russell
-
Zack
Nathan Coenen
-
Young Boy
Patrick Cullen
-
Shay
Georgina Haig
-
Simone
Geraldine Hakewill
-
Ella
T.J. Power
-
Brook
Jessica Rawnsley
-
Nikki Rosen
Will Simpson
-
Party Goer
Bradley Stevens
-
Stug
Tom Stokes
-
Jonathan
Kym Thorne
-
Karenn
Taglines:
Youth is innocent until proven guilty.
Release Date: 3 March 2011 Filming Locations: Perth, Western Australia, Australia Gross: AUD 80,007
(Australia)
(9 March 2011)
User Review
Where it falters is in its lack of moderation. Lucas doesn't believe in any. His film travels from one extreme to another
Rating: 6/10
Zack (Alex Russell) and Darren (Oliver Ackland) are stepbrothers who
are living under the same luxurious roof together while their parents
are away. Both boys are on the high school swimming team but Zack is
certified as the captain. He's involved with drugs and throwing parties
though and is made untouchable by his reputation and his two friends
who act like standover men. Darren is far more withdrawn. He spends
most of his time studying and playing games but also manages to catch
the eye of Xandrie (Adelaide Clemens). She's set to meet him at a party
but he arrives late and can't find her. A jealous girl thinks that
Xandrie is going to sleep with Zack so she spikes her drink and leaves
her at the mercy of Zack and his goons. She is assaulted and left for
dead on a beach. With the weight of guilt on his shoulders for ignoring
Xandrie, Darren sets out to find out the truth, firstly consulting a
security recording of the night.
I admire the courage of the Australian film industry, specifically its
uncompromised approach in dealing with important social issues. People
who value cinema for safe, populist entertainment often sneer at these
gritty and challenging films. As such, they regular fail to excite the
box office and are viewed foolishly as artistically meritless. But as
important as it is for a film to challenge the realities of our
society, there is fine line between a well researched critique of an
issue, like in Blessed and The Combination and cheap sensationalism and
finger pointing. Writer and director Ben C. Lucas cannot find the
balance. There's a nastiness running all throughout his film. It's
deliberately claustrophobic, filmed with harsh, dark textures and cold
steel. It's effective in unsettling us through its look, its heavy
ambient sound effects and clever structure too. It begins in medias
res, with Xandrie's body on the beach and then goes back in time to
work up to the crime. Where it falters is in its lack of moderation.
Lucas doesn't believe in any. His film travels from one extreme to
another, solely to inflate the drama and reinforce parents'
preconceived ideas about their children.
Lucas likes to paint broad strokes and is for one blindly nihilistic in
his outlook of multimedia. The social networking sites and the text
messaging shown in the film regularly lead to miscommunication and
rumour. The convenience and usefulness of the technology feels entirely
overshadowed and overlooked. Even the possible video evidence of the
crime takes a backseat to overly dramatic confrontations. Similarly,
teenagers might not be the most pleasant people but there are very few
who are completely irredeemable. Yet Lucas tries his best to make us
think so about a number of his characters. There's a lot of mean-
spirited behaviour, coarse dialogue and the needlessly excessive
violence. At the beginning of a film a boy asks Zack about the party to
which he responds in asking if he's looking for a corner to blow him.
The boy is then punched in the face, without consequence. For whatever
reason, a freakish red haired kid is also shown sending pictures of his
penis to girls at school. There are multiple public beatings in this
film too, with people punched and cracked over the head with bottles, a
school shooting and even a more implied torture scene. It's gratuitous,
not insightful, because these scenes exist only to be climactic, rather
than having a willingness to explore deeper psychological experiences.
These problems are frustrating because glimpses of more rounded and
developed characters are occasionally visible. Darren is understandably
driven by guilt, even if Ackland can't take us to the right emotional
levels, beyond his hollow eyes. Russell also makes Zack a more
interesting baddie, even if he is a little heavy handed. Zack's a sport
jock, but a logical one and uses common sense to distance himself from
the chaos. If only Lucas didn't undermine an interesting trait straight
after Zack talks himself out of a situation with a panic attack. It
weakens our belief in his confidence. Clemens impressed me the most.
With limited on screen time she's appropriately more conscious about
the situation than anyone else and is as such, more natural, human and
touching. The lack of adult characters is still a big pitfall. It's
meant to ride the metaphor that these kids have no one to answer to.
But their omission is never properly explained and it allows Lucas to
distance them from a lot of the blame. Like so much of the film, it
just makes us wonder why he's so strictly negative about today's youth.
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