Plot
A comedy centered around three characters: an everyday guy who comes to believe he's a superhero, his psychiatrist, and the teenager he befriends.
Release Year: 2009
Rating: 6.9/10 (18,279 voted)
Critic's Score: 57/100
Director:
Peter Stebbings
Stars: Woody Harrelson, Kat Dennings, Sandra Oh
Storyline A crooked cop, a mob boss and the young girl they abuse are the denizens of a city's criminal underworld. It's a world that ordinary Arthur Poppington doesn't understand and doesn't belong in, but is committed to fighting when he changes into a vigilante super-hero of his own making, Defendor. With no power other than courage Defendor takes to the streets to protect the city's innocents.
Cast: Woody Harrelson
-
Arthur Poppington
/
Defendor
Elias Koteas
-
Sgt. Chuck Dooney
Michael Kelly
-
Paul Carter
Sandra Oh
-
Dr. Ellen Park
Kat Dennings
-
Katerina Debrofkowitz
Clark Johnson
-
Capt. Roger Fairbanks
Lisa Ray
-
Dominique Ball
Alan C. Peterson
-
Radovan Kristic
(as A.C. Peterson)
Kristin Booth
-
Wendy Carter
(as Kristen Booth)
Charlotte Sullivan
-
Fay
Tony Nappo
-
Biker Cliff
Ron White
-
Judge Wilson
David Gardner
-
Grandpa Henry
Bryan Renfro
-
Mr. Debrofkowitz
Max Dreesen
-
Young Arthur
Opening Weekend: $13,265
(USA)
(21 February 2010)
(3 Screens)
Gross: $44,462
(USA)
Technical Specs
Runtime:|
Canada:
(Toronto International Film Festival)
Did You Know?
Trivia:
Canadian actor Peter Stebbings's screenwriting and directorial debut.
Goofs:
Anachronisms:
Young Arthur looks at G.I. Joe comics as a young man. There are no G.I. Joe comics until 1982, yet his character is around 50 years old.
Quotes: Arthur Poppington:
I'll see you on the moon.
User Review
Clever parody juxtaposed with intriguing self-reflexive darkness - an inspired revision of the superhero myth
Rating: 8/10
Given the recent onslaught of superhero films hitting theatres, it
would seem only natural to anticipate parodic responses to the genre,
sending up its excesses and sillier elements. On the surface, it would
appear that debut director Peter Stebbings' Defendor is exactly such a
film, casting Woody Harrelson's oddball everyman as a surrogate
crimefighter and exploiting his antics for humour in the vein of 1999's
Mystery Men. And initially this is the approach the film itself appears
gearing up to take, opening with a hysterical spoofing of overblown
superhero film clichés, including rooftop billowing fog, high contrast
city lights against nighttime darkness, and larger than life acrobatic
feats ("always check the garbage days" moans a wounded Defendor after
leaping off a rooftop into a dumpster recently emptied of garbage to
cushion his fall). Such astute genre awareness combined with the
wonderfully imaginative collection of Defendor's makeshift
crimefighting weapons (including the most inspired use of marbles seen
in ages) could easily have assured for an hour and a half of
lighthearted, enjoyable cinematic fun.
But Stebbings' film has grander ambitions than a mere surface level
parody, which subtly unfold as the film progresses. As the laughs
slowly become fewer and fewer, Defendor's narrative becomes steadily
more engrossing, settling on a tone pitched halfway between
exhilarating crime/mystery thriller and poignant character study, as
the viewer is led increasingly to question Defendor's mental stability,
and even the ethics of his imbalanced war against injustice. While such
transitioning between tones could prove a dangerous stumbling ground,
Stebbings is careful to distinguish between his darker themes and
moments of levity, utilizing dashes of all too real violence to
savagely undercut the fantasy or parodic elements. For all Defendor's
silliness, it certainly packs a brutal punch when necessary.
Of course, being the work of a first time director, one would expect
the occasional fumble, and Stebbings' film does lose its way for a
period nearing the climax, meandering somewhat and losing its rhythm.
Nonetheless, an emerging subplot musing on the roots and importance of
heroism (clearly borrowing amply from Christopher Nolan's recent two
Batman reboots among other sources) which could have been the clumsiest
addition to the movie actually emerges as surprisingly tasteful and
functional, adding more nuance and complexity to the unfolding film
without coming across as excessively pretentious. Completing the
package is the wonderfully grandiose musical score by John Rowley,
managing to perfectly encompass each tonal shift, whether gleefully
riffing on superhero musical motifs or offering something more profound
and honest, either way adding welcome depth and volume to a film
already far from lacking in either.
The casting of Woody Harrelson as the titular hapless crimefighter also
proves a stroke of genius, as Harrelson's naturally wacky yet powerful
charisma exemplifies the essence of the film, beautifully blending
child-like emotional simplicity, tenacious determination and enough
flat out weirdness to make it all ring true, as well as an inspired
ripoff of Christian Bale's now iconic Batman voice. Kat Dennings is
equally delightful to watch as a young prostitute who may be either
befriending or manipulating Defendor, warping her naturally quirky and
spunky energy into something darker, yet just as resonant. Elias Koteas
essays antagonistic clichés with the utmost grotesque skill as a
crooked cop, and Michael Kelly reconciles a weakly written role with a
gruff credibility as Defendor's employer and solitary friend. Finally,
Sandra Oh is superb in her few scenes as Defendor's psychological
examiner, infusing impressive dramatic tension with moments of deadpan
humour, and bringing welcome life to the film.
It would be easy to compare Defendor as a film to its protagonist:
slightly cumbersome and prone to stumbling at times, yet cleverly
self-aware, comical yet with layers of unexpected darkness, and overall
encompassed by such an infectious sense of classic, cheesy charm that
it is near impossible not to love in the end. Whether taken as a
superhero parody, straight out superhero film or character study (or
ultimately all three), Defendor proves a highly enjoyable success, and
one easily worth a watch.
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